Scoop Case Wall

Not my thing. An avowed enterprise driven compassionate capitalist, vehemently anti-planned economy alongside socialist-style removal of personal agency, patriotic to the extent of spending small fortunes following my sides around the world. Yet wholly, loudly, against the insult to democracy which is an appointed, hereditary head of state. Not to mention all the meritless, sordid, circus trappings.

So I shouldn't really care less about Scoop. The Netflix contribution to the 'car crash interview of the century'.

Yet a romp I got told it was, and a romp through how the interview came about it certainly is. I can see how on face value, reviews have polarised. Those marvelling at the intrigue, behind-the-scenes peek, alongside standout performances. Set against those wanting more; irreverence, disdain, juice, atop grave dancing, bite.

With just a couple of days to prep, the production team are shown to set up a special room for rehearsals.

We see this place twice. Whilst getting all the info together happens around their office building, it is in this room the game face gets honed.

Always happy to see such a case wall, I've blogged on such aplenty down the years. Salesteams simply must take a leaf out of this book.

How about this for a setting by the way. Here we see the protagonist of the main perspective, booker Sam McAlister, looking towards their case wall, with view through the windows onto London's Regent St.

You can almost hear the challenge; 'if you can't get inspired in this setting, then quit'.

Here's what she sees.

We never get a close-up of that 'details' left side. As for the portrait pics to the right...

With zoomed in cascades for full affect.

The human core of their 'campaign' brought to the fore.

Which is something that visually elevates any sale. To not try the same, would be your royal scandal.